gallamor: (Default)
[personal profile] gallamor
I've been thinking for a couple years as to whether or not I have the technical chops (not to mention TIME) to put together a series of podcasts highlighting the Pegasus finalists.

So, we have a handy-dandy poll. :)

[Poll #1440983]

What do you think?

EDIT: Yeah, I know I'm rather binary here- there is no Maybe. In this poll, however, I'm really interested only in the absolutes at this time. Shaded areas of grey come when there's actually data for a podcast... :)

Date: 2009-08-07 04:20 pm (UTC)
From: [identity profile] bardling.livejournal.com
How would a podcast help you, unless it was essentially a recording of bits of performances by all nominees? I doubt it's within [livejournal.com profile] tarkrai's ability (time/money...) to witness and record such for all nominees. Ok, perhaps such a thing could be delegated and recordings collected to form a podcast - but that puts a lot of workload on both the recording folks and [livejournal.com profile] tarkrai for coordinating everything and editing the lot together. Can you see other content that would be useful? What are you thinking of, when you say "highlighting"?

Date: 2009-08-07 04:27 pm (UTC)
From: [identity profile] echoweaver.livejournal.com
Hmmm. You're right, I wasn't imagining him actually doing any of the recording, just assembling recordings of performers submitted to him into a downloadable format. And I don't necessarily mean studio recordings. Recordings of con performances might be better. I know there are often permissions issues with these that I am not enough of an insider to fully understand, but it seems that quite a few cons have recording soundboards.

That does mean there's administrative overhead in tracking down and assembling recordings, and there might not be something to podcast for everyone.

When I mean "highlighting," I mean a selection of recordings (not necessarily lots) by the artist or songwriter so that I have something to use as a basis for voting.

Date: 2009-08-07 04:31 pm (UTC)
From: [identity profile] bardling.livejournal.com
Well, if we're after judging the performance, it'd pretty much have to be live performance recordings, not studio recordings anyway. ;)

Hm, it occurs to me that as someone inexperienced in these things I should probably ask: are we talking video or audion only, for podcasts? I'm imagining something short & youTube-ish, but I have a feeling I might be barking up the wrong tree...

Date: 2009-08-07 04:40 pm (UTC)
From: [identity profile] echoweaver.livejournal.com
Er, I think that's a video podcast. I think of the generic term "podcast" as referring to audio-only.

I pipe my MP3 player through my car audio system and listen to music podcast in place of radio these days, so I have often lamented the lack of a regular filk podcast. I even thought about doing one myself except, um, I don't have the time....

Date: 2009-08-07 05:05 pm (UTC)
From: [identity profile] tarkrai.livejournal.com
Just replying to the whole thread. :)

The format thought is much of what was done at ConClave (a con in Michigan generally 2 weeks before OVFF).

Format was as follows:
1. Introduce the composer. Mostly where they're from, without a lot of other information about them.

2. Play the nominated song in full.

3. lather, rinse, repeat for the whole category.

So, there would be six podcasts; focusing on each category of the award. :)

Currently you have to submit a full recording to be able to accept Nomination. OVFF helps with their catalog of recordings from the con where necessary, as well as doing everything possible to get a recording for the online balloting process. So, gathering copies of the songs is generally not a problem.

So, differences from the standard format- Performer and Composer Nominees:

I'm considering asking Composer and nominees to submit a live recording to me of a song they're proudest of, not necessarily the one that is used as a representative work. (Within the Official Online Category right now, if you are a Performer Nominee and you have a song in Best, Classic, or one of the Floats- that's your representative piece. If you're a Composer Nominee, the same applies.)

With the podcast, I'd be able to expand the Performer and Composer categories- preferably with only live recordings.

The other reason to do this thing is that the online official representative is a *sample* of the piece- not the complete song.

These would all be audio podcasts- no video. :)

There... all answered?

Date: 2009-08-08 05:49 am (UTC)
From: [identity profile] redaxe.livejournal.com
This sounds almost exactly like the process I imagined you'd be using, so have an extra thumbs-up from here.

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